Editing a book is like holding a conversation. It’s one of the best parts about editing a book, because you can consider how the chapters speak with each other.
Which chapter can lead, which one should be adjacent, and how do each of them complement or contrast ideas? What all of our chapters have in common is that these diverse visual practitioners are trying to make sense of the world. From graphic facilitation, embodied calligraphy, and even dancing – here’s a sample of these conversations. Want to learn more? The book is available on Amazon here.
Drawn Together through Visual Practice 